It’s Friday at last.
Ayde walks into The Grant with his friends, shifting uncomfortably between crowds of people he hardly knows. There are photographers, cameramen and various media teams scattered around the area toward the grand ballroom. Arri’s graduation is located on the second ballroom across it, divided by a huge circular lobby of looming golden skylights. In comparison, Arri’s event is far less superior with so few photographers loitering by the entrance, snapping pictures of whomever walking passed them, looking somewhat envious of what’s happening on the other side of the lobby.
Curiosity has always gotten the best of Ayde and tonight is no exception. He knows it’s the National Writer’s Guild Awards night, one that Arri spoke of times and times over. The Council of Arts and Culture has put special attention over local artisans over the past few years, supporting various ventures to ensure the country’s grip on the global map. With their second economy collapse not too far behind them, it’s surprising how a little care goes a long way. Awareness is slow, but the population’s attention is growing through rigorous advertisements, festivals, roadshows and scholarships. It’s a good sign of change; until recently, it is a country oblivious of its rich cultural diversity and the endless potential it carries. Now, the country has gained more revenue from exporting visual and literary forms of arts and culture, both traditional and contemporary, on levels unheard of before. Growing education opportunities are just part of its side effects; on a larger micro stage, it has produced more jobs in the middle lower industries, helping just enough to sustain the country’s fragile economy.
After getting their proper seating and the graduation under way, Ayde slips in and out discreetly before Arri’s speech. He notices that the guild’s awards have barely started and returns to his table, anxiously awaiting Arri’s arrival on stage. He has his pocket camera ready to record the event though somehow it feels less important than to sneak into the other room. Something else piques his interest; it’s not the swarm of celebrities, foreign officials and cultural icons, and certainly not the excitement either (though he does wonder what it’s like to live in such state of constant visibility).
Arri finally steps up the stage and her speech opens the main graduation event at last. Ayde bunches up with other juniors of the year group for pictures. His camera snaps away quickly, maybe even a little too impatiently, but Arri seems to be oblivious of his presence. Ayde snaps a few more pictures and disappears, leaving the ballroom to what he considers as the true main event. There are still people walking in and out of the main ballroom, small crowds hovering around what little is left on the table snacks. Ayde senses the opportunity to slip inside as he passes a group entering the main ballroom. He makes his way amongst them, pretending to make an important call, looking inherently bored out of his wits. He enters the great ballroom at last, seeing its majestic stage of gold, red and brown, and quickly slips to the sidelines where most non-seated guests huddle.
Murmurs spread amongst them, hushed voices of the latest internal gossip that have spread throughout the publishing industry. Something is to happen tonight, they say, but all is sceptical when it comes to G. Ane’s arrival. Some say she has no intentions of revealing herself, if she even exists, that is. Some hopes to see a glimpse of her; rumor has it she does show up to the award year after year, hidden like a faceless shadow, to privately gloat on her successive winnings. Either way, the media is forever hungry for more and they are waiting patiently to capture her in any essence they can.
But Ayde needs to wait no longer. The awards have gone under way, winners of literary categories glide up and down to receive the fruits of their rightful labor. It was said that he missed a spectacular duet of the country’s top divas – nothing that he regrets – but as the awards continue, Ayde moves his way slowly towards the center stage. Hiding in the sidelines, growing all the more curious, until he has to stop short near the table of very important guests and ducks to secure the best view he can find.
The time has come for the winner of the year’s contemporary literary arts, announces the host, a beautiful young woman Ayde recognizes as a famous model and singer. Ayde quickly grabs his camera, ignoring his buzzing phones in both pockets, and awaits anxiously for the announcement. He can feel the room growing quickly silent, almost pitch black with anticipation. G. Ane’s name is mentioned amongst ten other nominees – names he has never heard of – and none to his surprise, G. Ane rises as this year’s winner and now holds a record in winning five consecutive awards in the same category – or so the host says.
Ayde looks around the seated crowd. He can see movement hovering somewhere across him, right from the center of the room. Three silhouettes of people gliding effortlessly in the dark; a middle aged woman emerges first on stage, followed by a man with hair as white as snow, and a young woman petite of frame, hair as dark as polished ebony. He recognizes her gliding stride, her stoic liquid movement, and he watches as his heart thumps away wildly underneath his suit and tie, his legs almost giving way. His camera snaps away alongside other photographers’, but his attention is nowhere near there. His eyes stare mindlessly at the familiar pale face, those great almond eyes glazed almost unnaturally under the stage’s golden lights; the woman who is dressed almost as immaculately as a Japanese porcelain doll, clad in a sweeping black and gold silken robe; an apparition, a princess, a ghost.
Ayde watches Sia walking ever so effortlessly upon the stage, murmurs and gasps quickly swallowing the room. Ayde feels his breath leaving his very lungs the moment her mouth parts, ever so slowly, and that all too familiar voice begins to speak in a hushed, husky voice:
“For all your devotion and tireless attention; for the hope and anticipation of the new and different; for your open acceptance, love and curiosity, year after year without end; for the chance to give voice, speaking out to fellow audiences here and abroad; for the possibility of growth and existence for budding writers, documentors, artists and great culturalists of present and future; it has been a privilige and an honor, and a humbling experience to receive such immense support.”
Ayde gasps for air, his eyes fixed on her; her voice, her words, the person he can hardly recognize beyond the obvious; Ayde gasps for air. He can still hear her echoes in his ears as she concludes:
“For all of this and more, I thank you from the bottom of my heart. My name is Sia. I am G. Ane.”